vigilantcitizen.com | Feb 5, 2013
The 2013 Super Bowl featured the Sandy Hook chorus, Jennifer Hudson, Alicia Keys, Beyoncé, a whole bunch of advertisements and, oh yeah, a football game. While things were not as overt and in your face as last year’s half time show/celebration of Great Priestess Madonna, there were nevertheless a a lot of Illuminati Agenda-pushing going on. Here’s a recap of the noteworthy elements that occurred in the 2013 Super Bowl, the TV event of the year.
The best word I can use to describe the half-time show is “Beyoncé-ish”. It was like, sooooo Beyoncé. After “singing” (kinda) at the Obama inauguration, Beyoncé was again the star of a major event. No need to say that she’s an industry favorite, a figure-head of the Illuminati music industry. As described in several articles on this site, the symbolism in her work clearly indicates who she is working for. While her half time show was not the big, pharaonic occult display of Madonna’s 2012 show, we still witnessed the mind-control symbolism that is usually part of Beyoncé’s material.
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The entire show focused on duality and the multiplying of personalites, two concepts that are extremely important in Monarch mind control (read the article Origins and Techniques of Monarch Mind Control if you don’t know what I’m talking about).
The first and most visible cue to the concept of duality and alter-personas is the stage itself which consists of two faces that somewhat look like Beyoncé.
The stage is made up of two faces mirroring each other, an image evoking duality and multiple personalities.
The first part of the show contained a combination of symbols and visual effects that refer to the concepts of duality and multiple personalities.
At the beginning of “Baby Boy”, Beyoncé dances in front of a black and white background (a representation of duality). Through video effects, she then “multiplies herself”.
Here we see one black silhouette (which is Beyoncé, the “core” personality) and two white silhouettes (alters personas?).
The two white silhouettes turn into real human Beyoncé look-a-likes who dance with her for a while. We then see a lot of lights flashing and confusing effects, making us wonder who is the real Beyoncé. The blurring between reality and illusion is a focal point of mind control and is aptly displayed here.
Even the saxophone girl, with her Masonic checkerboard pattern dress, conveys the concept of duality.
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